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Sleeper X
Story By Chris Archibald
First appeared - Issue #12

In the paranoia and seclusion of our modern day lives it seems that the fire of revolution and protest has been extinguished and that people are more than ready to accept what they read and see as gospel, and this can be a dangerous thing. Information is now more than ever before used as a tool for propaganda machines to maintain power. However this information is around us and all we need to do is to wake up and take a look around.

 


Sleeper X are one such group who invite us to re-think our assertions and beliefs. Their lyrical outlook is blended with sound bites from eclectic objects, grinding guitars and rhythms counter punched with dropped scale melody. Singer James Crossland believes that it is a collective instinct and irrational harmony within the band that produces this unique take on the heavy genre. “It’s like a collective form of confidence. Confidence in ourselves that whatever we’re doing, be it a riff, or a beat, or the sound of a billiard ball being rolled along the top of a piano, it’s going to sound the way we want it and ultimately that’s all that matters.” It is in this confidence that the strength of the band lies. Instead of seeking the right formula for mass appeal, Sleeper X are committed to driving home their message whilst remaining fiercely independent.

Scanning the new lyrics for their upcoming EP ‘Music For The Esteemed Gentlemen’ it is clear that Crossland is again going to be unrelenting in covering his self proclaimed paranoia with barb soaked witticisms. While the larger issues of their first EP ‘Everything You Know is Wrong’ are still there on songs such as ‘The Great White Hope’ this time around Crossland is looking to explore suburban attitudes and morality in songs such as ‘Traitors’. Within this song we have macabre images of archaic superstitious rituals, “entrails over your shoulder”, blended with sarcastic jibes at popular consumer culture, “I’ll shoot every pauper I see until I get the Coke I ordered in this place”. While his method seems deliberate Crossland sees his lyrics as a spontaneous purging of his subconscious. “I don’t tend to write songs with a specific thought in mind, the lyrics are just scattered words and phrases or stream of consciousness stuff that’s been clogging up my head, jumbled around until they fit the music.” This said the impression after listening to Sleeper X is that Crossland manages to arrange his lyrics in such a fashion that they take on meaning that he himself does not immediately see.

The musical approach of Sleeper X is definitely in the realms of bands such as Machine Head and Carcass, however for all the brutality in the approach an irreverence is itching just below the surface that creates an intriguing and harmonious dynamic. With MFTEG due in 2006 and an east coast tour in December Sleeper X are well poised to bring their troubled message and atmospheric soundscapes to a far wider audience. If you think you know this band, think twice. They may just wake you from your apathetic slumber.

 

 


 


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